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Movies to See in 2012

After a less than stellar 2011, it looks as if 2012 is shaping up to be a fine, potentially spectacular, year for movie going audiences.  With a few genuinely solid films already released in the doldrums of the winter/early spring season, things are set to kick into high gear today with the release of Marvel Comics, The Avengers.

Bear in mind, this is not a complete list of everything film geeks are anticipating, nor is it merely a list of films that others have loved.  For instance, you will not find the too-soon-to-be-necessary (or even remotely interesting) Amazing Spiderman on this list, nor will you find the marginally efficient, yet-intensely-over-rated Hunger Games.  This is simply a list of films that I am excited to see, some large, some small, yet all filled with promise for one reason or another. Read the rest of this entry »

 
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Posted by on May 4, 2012 in Film and Culture

 

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“Chronicle” (2012): A One-Minute Film Review

Sometimes, for reasons we cannot fully explain, a film succeeds in ways that neither we, nor the studio, honestly expect.  If you want a great example of just this sort of phenomena, look no further that the recently released and poorly named, Chronicle.  Shot on an almost ridiculously low budget by a director whose only previous experience was on cable television, it was released in the dead of winter – a time slot usually reserved for films that will soon be making their debut appearance in the remainder bins of your local Walmart.

But Chronicle smartly rises above its humble budget and its inauspicious release date by offering something unusual: a nuanced psychological profile of a teenager struggling to rise above the ruins of his home life.  Mashing up the “found footage” and super-hero genres, it wisely avoids the rote stereotypes often found in films of this nature, and instead gives us a briskly paced meditation upon humiliation, empowerment, hubris, and naked aggression.

By the time this pleasant little treat reaches its unexpected climax, the viewer is left wondering whether this might just be one of the more honest portraits of teenaged American life in the 21st century.  While the films are miles apart in tonality, one couldn’t help but think back to Diablo Cody’s Juno, an equally insightful look into the mind of modern adolescence.

If you are a fan of the unusual and/or unexpected, I would strongly recommend seeing this film, in spite of its terrible title and its less-than-inspired marketing campaign.  This is the kind of film that heralds the arrival of a new talent, and I for one will be eagerly waiting in line when the creators of this film release their next work.

 

This film has been rated PG-13 by the MPAA for: intense action and violence, thematic material, some language and teenage drinking.

 
 

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